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All printed on rough offset paper\u003c\/p\u003e\r\n\u003cp\u003e\u003cspan\u003e\u003cspan\u003e\u003cspan\u003eAs far-reaching as the literary, philosophical and psychological meanings behind the term \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan\u003e\u003cspan\u003e\u003cspan\u003e\u003cstrong\u003e\"Cosmic Terror\"\u003c\/strong\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan\u003e\u003cspan\u003e\u003cspan\u003e may be, for \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan\u003e\u003cspan\u003e\u003cspan\u003e\u003cstrong\u003eTHE SPIRIT\u003c\/strong\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan\u003e\u003cspan\u003e\u003cspan\u003e this title opens up a world of its own. They do not want to explain anything. They do not want to analyze their lyrics, characterized by misanthropy and social criticism. The band pursues only one simple goal: to let their music speak for itself.\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cspan\u003e\u003cspan\u003e\u003cspan\u003eOnly two and a half years after the self-release of their debut (re-released on Nuclear Blast in August 2018), the trio from Saarbrücken, Germany, announces the completion of their second studio effort, due to be released via \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan\u003e\u003cspan\u003e\u003cspan\u003e\u003cstrong\u003eAOP Records\u003c\/strong\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan\u003e\u003cspan\u003e\u003cspan\u003e. \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cspan\u003e\u003cspan\u003e\u003cspan\u003eAfter a busy year of 2018, packed with release shows at the German Party.San and Summer Breeze festivals as well as an extensive European tour with Hypocrisy and Kataklysm, bandleader and songwriter \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan\u003e\u003cspan\u003e\u003cspan\u003e\u003cstrong\u003eM.T.\u003c\/strong\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan\u003e\u003cspan\u003e\u003cspan\u003e entered the Woodshed Studios in the spring of 2019, to record this sophomore release with producer \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan\u003e\u003cspan\u003e\u003cspan\u003e\u003cstrong\u003eV. Santura\u003c\/strong\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan\u003e\u003cspan\u003e\u003cspan\u003e (\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan\u003e\u003cspan\u003e\u003cspan\u003e\u003cstrong\u003eTriptykon, Dark Fortress\u003c\/strong\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan\u003e\u003cspan\u003e\u003cspan\u003e). Previously, the drums have been tracked at the Iguana Studio in Baden-Württemberg.\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cspan\u003e\u003cspan\u003e\u003cspan\u003eThe result are seven raging anthems, consisting of a unique blend of black and death metal, extensive instrumental passages and genuine guitar work - which even attracted nearby snakes to the studio's terrace during the recording. And \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan\u003e\u003cspan\u003e\u003cspan\u003e\u003cstrong\u003eM.T.\u003c\/strong\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan\u003e\u003cspan\u003e\u003cspan\u003e’s lifelong passion for prog rock can also not be denied at certain moments of the record.\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cspan\u003e\u003cspan\u003e\u003cspan\u003eFinalized with a unique cover artwork by French \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan\u003e\u003cspan\u003e\u003cspan\u003e\u003cstrong\u003e”Metastazis”\u003c\/strong\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan\u003e\u003cspan\u003e\u003cspan\u003e-artist \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan\u003e\u003cspan\u003e\u003cspan\u003e\u003cstrong\u003eValnoir\u003c\/strong\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan\u003e\u003cspan\u003e\u003cspan\u003e, \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan\u003e\u003cspan\u003e\u003cspan\u003e\u003cstrong\u003e\"Cosmic Terror\"\u003c\/strong\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan\u003e\u003cspan\u003e\u003cspan\u003e tears the listener into a musical catharsis. From the melodically fast-paced \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan\u003e\u003cspan\u003e\u003cspan\u003e\u003cstrong\u003e'Serpent As Time Reveals'\u003c\/strong\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan\u003e\u003cspan\u003e\u003cspan\u003e, via \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan\u003e\u003cspan\u003e\u003cspan\u003e\u003cstrong\u003e'Strive for Salvation'\u003c\/strong\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan\u003e\u003cspan\u003e\u003cspan\u003e, the album moves forward to the misanthropic hate manifesto \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan\u003e\u003cspan\u003e\u003cspan\u003e\u003cstrong\u003e'Repugnant Human Scum'\u003c\/strong\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan\u003e\u003cspan\u003e\u003cspan\u003e before the rage gives way to melancholy and despair on \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan\u003e\u003cspan\u003e\u003cspan\u003e\u003cstrong\u003e'The Path Of Solitude'\u003c\/strong\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan\u003e\u003cspan\u003e\u003cspan\u003e and the catchy \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan\u003e\u003cspan\u003e\u003cspan\u003e\u003cstrong\u003e'Pillars Of Doom'\u003c\/strong\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan\u003e\u003cspan\u003e\u003cspan\u003e. On \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan\u003e\u003cspan\u003e\u003cspan\u003e\u003cstrong\u003e'The Wide Emptiness'\u003c\/strong\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan\u003e\u003cspan\u003e\u003cspan\u003e, the band once again adds its own soundtrack to the fear of vast nothingness, before the instrumental title track exceeds all genre boundaries and culminates in a futuristic momentum with drummer \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan\u003e\u003cspan\u003e\u003cspan\u003e\u003cstrong\u003eM.S.\u003c\/strong\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan\u003e\u003cspan\u003e\u003cspan\u003e once again showing his qualities far beyond blast beats and double bass.\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"The Spirit","offers":[{"title":"Default Title","offer_id":40712476295216,"sku":"361714","price":14.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0577\/8561\/4384\/products\/318f296eef7cbbfddb201cb553b81530.jpg?v=1673019705"},{"product_id":"cosmic-terror-1","title":"Cosmic Terror","description":"\u003cul\u003e\r\n\u003cli\u003eblack vinyl\u003c\/li\u003e\r\n\u003cli\u003eGatefold LP with black flood inside, left flap glued\u003c\/li\u003e\r\n\u003cli\u003eprinted on the rough side of the carton\u003c\/li\u003e\r\n\u003cli\u003eblack polylined innerbag\u003c\/li\u003e\r\n\u003cli\u003eArtwork by Metastazis\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003e\u003cspan\u003e\u003cspan\u003e\u003cspan\u003eAs far-reaching as the literary, philosophical and psychological meanings behind the term \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan\u003e\u003cspan\u003e\u003cspan\u003e\u003cstrong\u003e\"Cosmic Terror\"\u003c\/strong\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan\u003e\u003cspan\u003e\u003cspan\u003e may be, for \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan\u003e\u003cspan\u003e\u003cspan\u003e\u003cstrong\u003eTHE SPIRIT\u003c\/strong\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan\u003e\u003cspan\u003e\u003cspan\u003e this title opens up a world of its own. They do not want to explain anything. They do not want to analyze their lyrics, characterized by misanthropy and social criticism. The band pursues only one simple goal: to let their music speak for itself.\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003cspan\u003e\u003cspan\u003eOnly two and a half years after the self-release of their debut (re-released on Nuclear Blast in August 2018), the trio from Saarbrücken, Germany, announces the completion of their second studio effort, due to be released via \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan\u003e\u003cspan\u003e\u003cspan\u003e\u003cstrong\u003eAOP Records\u003c\/strong\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan\u003e\u003cspan\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e\u003cspan\u003e\u003cspan\u003eAfter a busy year of 2018, packed with release shows at the German Party.San and Summer Breeze festivals as well as an extensive European tour with Hypocrisy and Kataklysm, bandleader and songwriter \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan\u003e\u003cspan\u003e\u003cspan\u003e\u003cstrong\u003eM.T.\u003c\/strong\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan\u003e\u003cspan\u003e\u003cspan\u003e entered the Woodshed Studios in the spring of 2019, to record this sophomore release with producer \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan\u003e\u003cspan\u003e\u003cspan\u003e\u003cstrong\u003eV. Santura\u003c\/strong\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan\u003e\u003cspan\u003e\u003cspan\u003e (\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan\u003e\u003cspan\u003e\u003cspan\u003e\u003cstrong\u003eTriptykon, Dark Fortress\u003c\/strong\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan\u003e\u003cspan\u003e\u003cspan\u003e). Previously, the drums have been tracked at the Iguana Studio in Baden-Württemberg.\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e\u003cspan\u003e\u003cspan\u003eThe result are seven raging anthems, consisting of a unique blend of black and death metal, extensive instrumental passages and genuine guitar work - which even attracted nearby snakes to the studio's terrace during the recording. And \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan\u003e\u003cspan\u003e\u003cspan\u003e\u003cstrong\u003eM.T.\u003c\/strong\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan\u003e\u003cspan\u003e\u003cspan\u003e’s lifelong passion for prog rock can also not be denied at certain moments of the record.\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e\u003cspan\u003e\u003cspan\u003eFinalized with a unique cover artwork by French \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan\u003e\u003cspan\u003e\u003cspan\u003e\u003cstrong\u003e”Metastazis”\u003c\/strong\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan\u003e\u003cspan\u003e\u003cspan\u003e-artist \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan\u003e\u003cspan\u003e\u003cspan\u003e\u003cstrong\u003eValnoir\u003c\/strong\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan\u003e\u003cspan\u003e\u003cspan\u003e, \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan\u003e\u003cspan\u003e\u003cspan\u003e\u003cstrong\u003e\"Cosmic Terror\"\u003c\/strong\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan\u003e\u003cspan\u003e\u003cspan\u003e tears the listener into a musical catharsis. From the melodically fast-paced \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan\u003e\u003cspan\u003e\u003cspan\u003e\u003cstrong\u003e'Serpent As Time Reveals'\u003c\/strong\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan\u003e\u003cspan\u003e\u003cspan\u003e, via \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan\u003e\u003cspan\u003e\u003cspan\u003e\u003cstrong\u003e'Strive for Salvation'\u003c\/strong\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan\u003e\u003cspan\u003e\u003cspan\u003e, the album moves forward to the misanthropic hate manifesto \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan\u003e\u003cspan\u003e\u003cspan\u003e\u003cstrong\u003e'Repugnant Human Scum'\u003c\/strong\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan\u003e\u003cspan\u003e\u003cspan\u003e before the rage gives way to melancholy and despair on \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan\u003e\u003cspan\u003e\u003cspan\u003e\u003cstrong\u003e'The Path Of Solitude'\u003c\/strong\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan\u003e\u003cspan\u003e\u003cspan\u003e and the catchy \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan\u003e\u003cspan\u003e\u003cspan\u003e\u003cstrong\u003e'Pillars Of Doom'\u003c\/strong\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan\u003e\u003cspan\u003e\u003cspan\u003e. On \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan\u003e\u003cspan\u003e\u003cspan\u003e\u003cstrong\u003e'The Wide Emptiness'\u003c\/strong\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan\u003e\u003cspan\u003e\u003cspan\u003e, the band once again adds its own soundtrack to the fear of vast nothingness, before the instrumental title track exceeds all genre boundaries and culminates in a futuristic momentum with drummer \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan\u003e\u003cspan\u003e\u003cspan\u003e\u003cstrong\u003eM.S.\u003c\/strong\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan\u003e\u003cspan\u003e\u003cspan\u003e once again showing his qualities far beyond blast beats and double bass.\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"The Spirit","offers":[{"title":"Black","offer_id":40712476688432,"sku":"361715","price":19.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0577\/8561\/4384\/products\/82d665da389d8702cdd8307d944cef57.jpg?v=1673019710"},{"product_id":"traktat","title":"Traktat","description":"\u003cp\u003eComes in noble 4 paes digipak with 20 pages booklet\u003c\/p\u003e\r\n\u003cp\u003eTracklist:\u003cbr\u003e1. Irgendjemand wartet immer\u003cbr\u003e2. Jahr ohne Sommer\u003cbr\u003e3. Stolperkenotaphe\u003cbr\u003e4. Alaska\u003cbr\u003e5. Abgrunddialektik\u003cbr\u003e6. Alles was wir geben mussten\u003cbr\u003e7. Grabcholerik\u003cbr\u003e8. Tod, wo bleibt dein Frieden?\u003c\/p\u003e\r\n\u003cp\u003eKarg was founded back in the summer of 2006 as a one-man project by J.J. of Harakiri for the sky.\u003c\/p\u003e\r\n\u003cp\u003eBetween 2010 \u0026amp; 2014 Karg was fully formed as a band to play gigs, formally in Germany, Austria and Central Europe. In the years till 2018 Karg was, like in its beginning, held as a one-man project and released two more albums. With the release of Kargs sixth studio album “Dornenvögel” Karg will celebrate its rebirth as a live band for a few special dates from now on.\u003c\/p\u003e\r\n\u003cp\u003eThe musical style of Karg is a furious, hysteric mixture of Atmospheric Black Metal and a huge load of Post Rock, with influences also from Grunge, Shoegaze and Post Punk. The influences from other genres than Black Metal evolved more and more within the last few years but were there in abridged form since day one. Textual Karg always was about the more melancholic side of life, such as broken relationships, lost love, estrangement, drug abuse, loss or suicide thoughts and depression. In contrast to many other bands Kargs lyrics are as equal important than its music is.\u003c\/p\u003e\r\n\u003cp\u003e\u003c\/p\u003e\r\n\u003cp\u003eQuote J.J.\u003c\/p\u003e\r\n\u003cp\u003e“When I began writing „Traktat“ I was about to explode. Things started falling apart at the very beginning of the year, what left me distracted and anxious till the end of summer. And when doctors tell you that a depressive episode like this will last around or more than six months, without a treatment, then I’ve to agree with them, they are totally right. This, and the circumstance, that I travelled quite a lot this year, trying to run away from a distemper I couldn’t control anymore, is what makes “Traktat” a very personal album, musically as lyrically. That’s also the reason I wrote much of it on the road. I wouldn’t say that the previous Karg releases were less personal, but this one holds a special place in my heart. Also, it’s the last part of some kind of trilogy, which started with “Weltenasche” nearly for years ago and continued with “Dornenvögel” in summer of 2018. To me “Traktat” is some sort of manic depression, which has its ups and downs, loud and quiet at the same time and with a tailspin like every second minute. Quite a lot to bear, and full of emotions I desperately had to get rid of, as I was exploding anyway. “\u003c\/p\u003e\r\n\u003cp\u003e\u003cbr\u003eTraktat was written and recorded between Mai 2018 and August 2019\u003cbr\u003eSongwriting, Vocals, Lyrics and Artwork by J.J.\u003c\/p\u003e\r\n\u003cp\u003eAll songs by Karg except the vinyl and box set bonus song „Nichts als Schatten“, which is an interpretation of Bonnie Prince Billy‘s „I see a darkness“\u003c\/p\u003e\r\n\u003cp\u003eAll Drums on this album played by Paul Färber in August 2019\u003c\/p\u003e\r\n\u003cp\u003eProduced by Georg Traschwandtner in September 2019\u003cbr\u003eMastered by David Pilz\u003c\/p\u003e\r\n\u003cp\u003eCover art „Flowergirl“ by Steve Kirn \/\/ Washington D.C.\u003cbr\u003eBack Cover and booklet illustration by Yasin Violet\u003cbr\u003eBand picture by Krist Mort\u003cbr\u003eEnd Sample of „Abgrunddialektik“ by Árstíðir - Heyr himna smiður (Icelandic hymn)\u003c\/p\u003e\r\n\u003cp\u003eViolin on „Irgendjemand wartet immer“, Stolperkenotaphe“ and „Abgrunddialektik““ by Klara Bachmair\u003cbr\u003eGuest Vocals on „Stolperkenotaphe“ and „Abgrunddialektik“ by Purch \/\/ Instant Karma\u003cbr\u003eGuest Vocals on „Jahr ohne Sommer“ by Bernhard Zieher \/\/ Weltenbrandt\u003c\/p\u003e\r\n\u003cp\u003e\u003cbr\u003eDrums on „Grabcholerik“ and „Alles was wir geben mussten“\u003cbr\u003ewritten by Mischa Radivojevic\u003c\/p\u003e\r\n\u003cp\u003eDrums on „Tod, wo bleibt dein Frieden?“, „Irgendjemand wartet immer“ and „Nichts als Schatten“\u003cbr\u003ewritten by Paul Färber\u003c\/p\u003e\r\n\u003cp\u003eDrums on „Jahr ohne Sommer“ and „Abgrunddialektik“\u003cbr\u003ewritten by M.S.\u003c\/p\u003e\r\n\u003cp\u003eDrums on „Alaska“ and „Stolperkenotaphe“\u003cbr\u003ewritten by Julian Huemer\u003c\/p\u003e\r\n\u003cp\u003eMost of the lyrics are written and performed\u003cbr\u003ein the dialect spoken near the Tennen Mountains\u003c\/p\u003e","brand":"Karg","offers":[{"title":"Default Title","offer_id":40712476753968,"sku":"368066","price":10.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0577\/8561\/4384\/products\/ffa364d20049881f63dd143a7df1a8e5.jpg?v=1673019713"},{"product_id":"traktat-1","title":"Traktat","description":"\u003cp\u003eComes in noble gatefold cover, with double black vinyl, A2 poster and 8 pages 30x30 m booklet\u003c\/p\u003e\r\n\u003cp\u003eTracklist:\u003cbr\u003e1. Irgendjemand wartet immer\u003cbr\u003e2. Jahr ohne Sommer\u003cbr\u003e3. Stolperkenotaphe\u003cbr\u003e4. Alaska\u003cbr\u003e5. Abgrunddialektik\u003cbr\u003e6. Alles was wir geben mussten\u003cbr\u003e7. Grabcholerik\u003cbr\u003e8. Tod, wo bleibt dein Frieden?\u003cbr\u003e9. Nichts als Schatten (Bonus Track \/\/ Bonnie Prince Billy Cover)\u003c\/p\u003e\r\n\u003cp\u003eKarg was founded back in the summer of 2006 as a one-man project by J.J. of Harakiri for the sky.\u003c\/p\u003e\r\n\u003cp\u003eBetween 2010 \u0026amp; 2014 Karg was fully formed as a band to play gigs, formally in Germany, Austria and Central Europe. In the years till 2018 Karg was, like in its beginning, held as a one-man project and released two more albums. 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Things started falling apart at the very beginning of the year, what left me distracted and anxious till the end of summer. And when doctors tell you that a depressive episode like this will last around or more than six months, without a treatment, then I’ve to agree with them, they are totally right. This, and the circumstance, that I travelled quite a lot this year, trying to run away from a distemper I couldn’t control anymore, is what makes “Traktat” a very personal album, musically as lyrically. That’s also the reason I wrote much of it on the road. I wouldn’t say that the previous Karg releases were less personal, but this one holds a special place in my heart. Also, it’s the last part of some kind of trilogy, which started with “Weltenasche” nearly for years ago and continued with “Dornenvögel” in summer of 2018. To me “Traktat” is some sort of manic depression, which has its ups and downs, loud and quiet at the same time and with a tailspin like every second minute. 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